तुमसे मिलने का मैंने फ़ैसला बना रखा है

Tumse Milne Ka Maine Faisla Bana Rakha Hai (तुमसे मिलने का मैंने फ़ैसला बना रखा है) is a romantic ghazal-styled track from Lafzon Mein Pyaar (2023), an independently produced Hindi drama released on 4 August 2023 by Monarch Films. The film was the debut production of producer-lyricist Ashok Sawhny, who writes under the pen name 'Sahil' and penned all the songs for the soundtrack. This particular track is sung and co-composed by Ranjeet Rajwada, with additional music by Vicky Ani. Directed by Dhiraj Mishra and Raja Randeep Giri, and featuring veteran actors Anita Raj, Zarina Wahab and Lalit Parimoo, Lafzon Mein Pyaar was a small-scale, largely independent release that leaned heavily on its ghazal-influenced soundtrack — of which this song, with its title doubling as its opening declaration of intent, is one of the lead romantic numbers.

Ranjeet Rajwada, credited as both singer and co-composer alongside Vicky Ani, keeps the arrangement restrained and ghazal-adjacent — an approach consistent with the soundtrack's overall Urdu-poetic character, favouring a measured, melodic vocal delivery over the higher-energy dance production typical of mainstream Bollywood releases of the same year.

Lyricist Ashok Sawhny 'Sahil', who also produced the film, writes in the classic Urdu-Hindi ghazal register — the title line itself functions as the song's mukhda, a direct, unadorned statement of romantic resolve typical of the poetic tradition he draws on across the film's soundtrack.

Lafzon Mein Pyaar is a low-budget, independently produced Hindi drama that released theatrically on 4 August 2023, marking producer Ashok Sawhny's debut film venture under Monarch Films. Co-directed by Dhiraj Mishra and Raja Randeep Giri, it built its identity around Sawhny's own poetry — every song on the soundtrack carries his lyrics — with this track serving as one of the film's central romantic musical moments.

As a track from a small independent release, Tumse Milne Ka Maine Faisla Bana Rakha Hai did not chart or achieve mainstream commercial visibility; its reach has remained limited to the film's own promotional YouTube upload, which had drawn under 2,000 views as of research, reflecting the modest scale of the production rather than any lack of craft in the ghazal-styled songwriting.