भिनन शदजम्

Raag Bhinna Shadjam is a complete scale with all 7 notes in both ascent and descent raga in the Carnatic classical music tradition.. With its Sampurna-Sampurna jati structure, this raag creates a distinctive tonal landscape. The predominant rasa is Peace/Tranquility (शांत), making it suitable for compositions that evoke peaceful, meditative emotions. It is traditionally performed during evening hours, and its melodic contour offers rich possibilities for alapana, kalpanaswaram, and creative improvisation.

As part of the rich tapestry of Indian classical music, Raag Bhinna Shadjam represents the deep connection between melodic structure and emotional expression that defines the Carnatic tradition.

Raag Bhinna Shadjam (or Bhinnashadja) is one of the ancient raag concepts in Indian classical music, with origins in the theory of murchhanas (modal shifts) described in Bharata Muni's Natya Shastra (c. 200 BCE–200 CE). In the ancient grama-murchhana system, "bhinna shadja" referred to a melodic framework where the principal note (shadja) was "displaced" or "altered" — effectively equivalent to performing music in a different modal position relative to the base scale. Later texts describe Bhinnashadja as a raag where Pancham (Pa) serves as the graha (starting note) or vadi, displacing the usual Shadja. This connection to the pre-melakarta system makes it one of the theoretically oldest raag names in Indian music. In modern Carnatic practice, whether this ancient concept maps to a specific janya raag is a subject of musicological debate. The Hindustani thaat equivalent cannot be determined. The raag has no presence in Hindi film music.