अनंद मुखि

Raag Ananda Mukhi is a complete scale with all 7 notes in both ascent and descent raga in the Carnatic classical music tradition.. With its Sampurna-Sampurna jati structure, this raag creates a distinctive tonal landscape. The predominant rasa is Peace/Tranquility (शांत), making it suitable for compositions that evoke peaceful, meditative emotions. It is traditionally performed during evening hours, and its melodic contour offers rich possibilities for alapana, kalpanaswaram, and creative improvisation.

As part of the rich tapestry of Indian classical music, Raag Ananda Mukhi represents the deep connection between melodic structure and emotional expression that defines the Carnatic tradition.

Ananda Mukhi is a Carnatic janya rāga meaning 'one with a blissful face' or 'she whose face radiates bliss' (ānanda = bliss, mukhī = faced, having the face of). This is a common epithet applied to goddess forms in Sanskrit stotra literature — faces of deities in South Indian iconography are described as 'anandamukha' when depicted in a state of divine beatitude. The rāga's parent melakarta and swaras are not confirmed in available documentation. Its name places it in the devotional tradition of Carnatic music and suggests use in goddess-oriented compositions. The 72-melakarta scheme codified by Venkatamakhin (c. 1660 CE) provides the foundational structure within which this janya rāga is situated.