बद्रिक

Raag Badrika is a complete scale with all 7 notes in both ascent and descent raga in the Carnatic classical music tradition.. With its Sampurna-Sampurna jati structure, this raag creates a distinctive tonal landscape. The predominant rasa is Peace/Tranquility (शांत), making it suitable for compositions that evoke peaceful, meditative emotions. It is traditionally performed during evening hours, and its melodic contour offers rich possibilities for alapana, kalpanaswaram, and creative improvisation.

As part of the rich tapestry of Indian classical music, Raag Badrika represents the deep connection between melodic structure and emotional expression that defines the Carnatic tradition.

Raag Badrika ('of Badri' or 'pertaining to the Badri tree/shrine') is a variant or close sibling of Raag Badri in the Carnatic janya taxonomy. The suffix '-ka' in Sanskrit typically conveys a possessive or diminutive relationship, suggesting that Badrika may have emerged as a regional or textual variant of Badri, perhaps to accommodate a slightly different gamaka treatment or a jati modification. Both names point to the Badrikashrama complex in the Himalayan foothills and the Vaishnavite devotional tradition centered there. Like Badri, Badrika's sampurna jati structure (7 notes ascending, 7 descending) places it among the structurally complete Carnatic janyas. However, standard Carnatic lakshana granthas published in the modern era do not clearly distinguish Badrika's scale from Badri's, and in many encyclopedias the two appear as a single entry or are collapsed into a regional raga list. The raag's documented concert life is minimal.