ऐसे न हमें छेड़ो ऐसे न सताओ

S. N. Tripathi sets this as a two-voice exchange. Pahari Sanyal sings in the actor-singer manner of the New Theatres school — unforced, speech-adjacent, carrying the line rather than performing it — while Rajkumari brings the trained, more ornamented delivery of a professional playback voice. No recording of the track is currently accessible for closer description, so nothing further about its scoring is asserted here.

The title is a plea against teasing — 'do not tease me so, do not torment me so' — the standard opening move of the light romantic duet in 1940s Hindi cinema, where protest is the form flirtation takes. The chosen register is colloquial Hindustani rather than ornamented Urdu, which fits a scene of banter rather than longing. Beyond the title line, nothing of Bekal's text is reproduced here; the full lyric remains in copyright.

Ramayani (1945) was directed by Sarvottam Badami for Purnima Productions, with S. N. Tripathi composing to Bekal's lyrics and the songs issued on Columbia Records. The cast was headed by Pahari Sanyal, Nargis, Chandra Mohan and Rose Musleah, with Moni Chatterjee, Kanhaiyalal, Prabha and Amirbai Karnataki. The Encyclopedia of Indian Cinema records the film, and Heidi Pauwels places it among the Ramayana adaptations that followed Vijay Bhatt's Ram Rajya (1943). No plot summary survives in any accessible source, so the scene this song belongs to is unknown and is not invented here.

It is one of two Ramayani tracks — with 'Mere Mann Mandir Ki Devi' — for which per-song singer credits survived the seventy-odd years since release. That alone makes it disproportionately useful to anyone reconstructing who actually sang on S. N. Tripathi's 1945 scores.