वो हमें बुलाये गोरी

'Wo Hame Bulaye Gori' is a song sung by Khursheed in the 1941 Ranjit Movietone film Shaadi, composed by Khemchand Prakash. It is among the film's romantic numbers and appears in the documented song listings for the soundtrack, which were dominated by Khursheed's voice.

The title 'Wo Hame Bulaye Gori' — 'That fair one (gori) calls out to us' — uses the third-person 'wo' (she/that one) to describe the beloved's summons, creating a slight emotional distance that transforms the summons into a vision. 'Gori' (literally 'the fair-complexioned one') is one of the most common epithets for the beloved in Braj poetry and the folk-song tradition of North India; it invokes a conventional aesthetic ideal while also signalling femininity and desirability. The use of 'hame' (us, we — the first-person plural) rather than the singular 'mujhe' gives the song a slight communal or public address, as if the summons of the beloved is being reported or shared. This grammatical choice was common in Braj-inflected romantic songs, where the lover speaks of his experience to an implied audience. Khursheed's clear, high register and her instinct for lyrical expression made her the ideal interpreter of such openly voiced romantic pieces.

Shaadi (1941) was a Ranjit Movietone social film directed by Jayant Desai, with music by Khemchand Prakash and lyrics at the film level shared between Munshi Dil and D.N. Madhok. Khursheed — confirmed as the singer of 'Wo Hame Bulaye Gori' — was the principal voice of Ranjit Movietone's output under Khemchand Prakash from 1940 onwards. Her career reached a peak in 1941 when films like Shaadi and Pardesi gave her a series of melodic vehicles across different moods: devotional, romantic, and comedic. Khemchand Prakash's compositions at Ranjit Movietone were notable for their idiomatic use of Hindustani classical elements within the song-film format; his training as a classical vocalist and Kathak dancer informed even his lighter romantic numbers. The specific scene context for 'Wo Hame Bulaye Gori' is not documented in available sources, but its designation as a romantic number in the film's listing places it among Khursheed's lyrical showcase pieces.