झूलो झूलो कन्हैया जी झूलना

'Jhulo Jhulo Kanhaiya Ji Jhulna' is a devotional cradle-song addressed to the child Krishna (Kanhaiya) from the 1941 Ranjit Movietone film Shaadi, composed by Khemchand Prakash. The jhulna form — rocking the divine child in a swing — is a beloved bhakti tradition, and its inclusion fits the film's strong devotional thread. The singer is not specified in available listings.

The jhulna (also jhula, swing-song) is among the oldest forms in the Vaishnava bhakti tradition. Set in the monsoon month of Sawan, when swings are traditionally hung in gardens and courtyards, the jhulna addresses the child or young Krishna being rocked in a cradle or swinging in a garden swing — an image of divine play (lila) and maternal or devotional love. 'Kanhaiya' is the affectionate diminutive name for the child Krishna, and songs addressed to him with the imperative 'jhulo jhulo' (swing, keep swinging) are found in the poetry of Surdas, Mirabai, and the Ashtachhap poets writing in Braj bhasha, as well as in the courtly compositions of Awadh and Vrindavan. The jhulna form entered Hindi film music as a bhakti interlude, offering audiences a familiar devotional image inside a fictional frame. The specific lyric of this song has not been located in a verified source; this description draws on the generic jhulna tradition and the song's documented title rather than verbatim text.

Shaadi (1941) was directed by Jayant Desai and produced by Ranjit Movietone, one of the most prolific studios of the pre-Independence era, known for films that addressed social reform themes — fidelity, gender roles, tradition versus modernity. The film had fourteen songs composed by Khemchand Prakash; in 1941 Prakash was consolidating his position in the Bombay industry through several Ranjit Movietone productions including Pardesi and Shaadi. The cast included Madhuri, Motilal, and Khurshid Begum. A devotional jhulna addressed to child Krishna within a social drama about marriage and family was consistent with the emotional and spiritual texture Ranjit Movietone films often maintained: devotional set-pieces that gave audiences a moment of shared bhakti feeling alongside the social narrative. The per-song singer for this specific jhulna is not documented in the sources consulted.

Khemchand Prakash, who composed the Shaadi score, went on to create 'Aayega Aanewala' for Mahal (1949) — one of the most celebrated and widely remembered songs in Hindi film history, sung by a young Lata Mangeshkar in a film-noir-influenced ghost story. This connection between Shaadi (1941) and Mahal (1949) represents an eight-year arc in Prakash's career that ended with his death in 1950. The jhulna form itself has remained a durable fixture of the Hindi film devotional repertoire through every decade: swing-songs addressed to Krishna appear in films from the 1930s to the present as bhakti interludes that pause narrative drama for collective devotional feeling.