प्यासे प्यास बुझा ले अपनी प्यासे आँसू पी ले

'Pyase Pyas Bujha Le Apni Pyase Aansu Pee Le' is the best-documented of the twelve songs catalogued for the 1941 social drama Sajjan, carrying its own song page on hindigeetmala.net that confirms music director Pratap Mukherjee and lyricist Pandit Phani. That page notes the lyrics remain unavailable owing to the absence of surviving audio or video. It is a companion to the film's other 'Pyase Pyas Bujha Le' verse and is preserved here as a documented metadata entry, not a listening item.

The paradox of 'Pyase Pyas Bujha Le Apni Pyase Aansu Pee Le' — 'Quench your thirst with your own thirst; drink your own tears to still the longing' — operates at the extreme edge of the aesthetics of impossible grief in Urdu-Hindi lyric. The remedy is identical with the affliction: tears do not slake thirst, they intensify it, and offering them as balm is a cruelly circular logic. This figure is related to the Sufi concept of ishq (love-longing) that is self-consuming — where relief and pain are the same substance — and appears in the poetry of Mir Taqi Mir and subsequent classical masters. Pandit Phani, working within the ghazal-song form, would have built the verse around this central paradox, each line tightening the coil of impossible self-sufficiency. The Slow tempo and ghazal classification suggest the song was presented as a measured, philosophical lament rather than an emotionally theatrical cry — grief distilled into intellectual form.

Sajjan (1941) was a social drama produced by Sudharshan Chitra and directed by Dwarka Khosla, featuring a cast that included David, Husn Bano, Jagdish Sethi, Satish, Agha, Gope, and Urmilla. The film's twelve songs were composed by Pratap Mukherjee with lyrics by Pandit Phani. Hindigeetmala.net — the principal online archive for pre-independence Hindi film songs — documents this title specifically, confirming the music director and lyricist, while noting that no surviving audio or video copy has been located. The song exists alongside a companion piece with a nearly identical opening phrase ('Pyase Pyas Bujha Le Apni Jalte Jal Se') in the same film's soundtrack, suggesting that both were structurally related verses — perhaps a two-verse lament distributed across the film's narrative at different dramatic moments. The paradox embedded in the title — drinking tears to quench thirst — marks it as one of the film's more philosophically dense numbers.