बेकहे भी दिल को चैन आता नहीं

'Bekahe Bhi Dil Ko Chain Aata Nahi' is one of the lament numbers from Phani Majumdar's 1943 film Mohabbat, scored by Hari Prasanna Das. The title's image — a heart that finds no rest even unspoken — places it in the longing-and-separation register that anchored the film's musical drama. The singer is not documented in available sources.

Hari Prasanna Das works in the New Theatres-derived idiom of melody-first, lightly accompanied film song. As a slow lament the composition would have foregrounded a sustained vocal line over restrained instrumentation, in keeping with the early-1940s preference for letting the words and tune carry the emotional weight.