मेरे राजा जाऊँ बलिहारी

'Mere Raja Jaun Balihari' is the title song of the 1941 Hindi film Mere Raja, one of its seven documented numbers, with lyrics by Ishwar Chandra Kapoor and music by Damodar Sharma. The phrase 'jaun balihari' (to offer oneself in sacrifice/devotion) lends the piece a blend of romantic and devotional sentiment built around the film's name. The playback singer is not recorded in surviving catalogues, and no audio is presently in circulation.

The phrase 'Jaun Balihari' is one of the most charged expressions in the Braj Bhasha devotional and romantic lyric: literally 'I sacrifice myself', it declares absolute self-surrender to the beloved or the king. 'Balihari' — from Sanskrit 'bali' (offering, sacrifice) — carries the weight of the oldest Indian ritual language, in which the devotee offers themselves completely. When addressed to a 'raja' (king), the phrase occupies the intersection of feudal-devotional idiom and Bhakti-poetry's address to the divine king (Ram, Krishna), where earthly loyalty and spiritual surrender are expressed in identical vocabulary. Lyricist Ishwar Chandra Kapoor, who wrote the songs for Mere Raja (1941), worked in the tradition of Hindustani song-poetry in which such dual registers — worldly-political and transcendent-devotional — overlapped deliberately. A title song bearing the film's own name typically served as its emotional signature, repeated or reprised at narrative peaks. The full lyric is not available for quotation, but the vocabulary promises verses structured around praise of the king's qualities, pledges of loyalty, and the metaphor of the self as an offering.

Mere Raja (My King / My Lord) was a 1941 Hindi film produced by Paramount Film Company and directed by T.S. Mani. The cast included Mazhar Khan, E. Billimoria, Kanta, and Bibbo — a combination of established and supporting players active in the mid-tier Bombay production circuit. As the title song of the film, 'Mere Raja Jaun Balihari' would have served as a thematic anchor, possibly placed at the film's emotional climax or as a recurring refrain. Music director Damodar Sharma worked in the smaller studio sector of 1940s Hindi cinema, his credits spread across Paramount and similar productions. Lyricist Ishwar Chandra Kapoor was a working professional in the Bombay film industry whose compositions appear in a small number of early 1940s productions before records of his activity fade. Paramount Film Company occupied the productive but less-documented middle tier of Hindi film production, below the prestige of Ranjit, Bombay Talkies, and New Theatres but above the smallest independent operations. The film's seven documented songs indicate a mid-sized production budget.