मिस फ्रंटियर मेल

A railway station deputy is murdered by a masked villain working to sabotage the train service in favour of an airline business. When the station master is falsely arrested for the crime, his spirited daughter Savita — a crack shot and fearless adventurer — takes it upon herself to investigate. Spectacular chase sequences, a climactic fight atop a speeding train, and a villain revealed as Savita's own uncle make up the film's breathless action mechanics. Originally titled 'Frontier Mail', it was renamed after railway authorities objected to promotional posters showing a train crash; it is the third entry in Wadia's Diamond Thriller series.

Master Mohammed's score provided rousing background material suited to the film's action pace; the music served the stunt-drama genre convention rather than the lyrical depth of contemporaneous studio-drama scores.

One of Fearless Nadia's iconic stunt vehicles; the train-top action climax set a benchmark for action choreography in Indian cinema of the period. Wadia Movietone's stunt-film genre, anchored by Nadia, was among the most commercially successful of the 1930s and a unique counter to the literary-drama dominated by Bombay Talkies and New Theatres.