लॉर्ड कर्ज़न की हवेली

Lord Curzon Ki Haveli is a Hindi-English black comedy thriller in which four individuals gather for a dinner party that takes a dark turn when one announces he has a body in the car trunk. The absurdist premise escalates into a night of consequences that transforms all four characters' lives irrevocably. Directed by Anshuman Jha (his directorial debut) from a screenplay by Bikas Ranjan Mishra, the film premiered at the Indian Film Festival of Melbourne in August 2023 before its theatrical release on 10 October 2025. Rasika Dugal's performance earned consistent praise across reviews despite mixed assessments of the film overall.

Lord Curzon Ki Haveli is a score-only film with no released songs. French composer Simon Fransquet provided the background score, which incorporates reimagined Beethoven symphonic themes alongside original compositions, creating an incongruously classical European soundscape for this Delhi-set black comedy. No songs were released as promotional singles.

Lord Curzon Ki Haveli is notable as the directorial debut of actor-turned-filmmaker Anshuman Jha, arriving in theatrical release two years after its Melbourne film festival premiere — a journey reflecting the challenging distribution landscape for Hindi indie films with unconventional tonal registers. Its most distinctive musical choice is French composer Simon Fransquet's reimagining of Beethoven symphonic themes for a Delhi-set black comedy — a cross-cultural incongruity that functions as both joke and aesthetic statement. Rasika Dugal's consistently praised performance contributes to her standing as one of Hindi cinema's most reliable independent actresses.

After its theatrical release on 10 October 2025, Lord Curzon Ki Haveli received mixed reviews — most critics noting the ambitious concept and Rasika Dugal's committed performance while expressing reservations about the execution. As a debut, it is likely remembered as an interesting if uneven first feature, with Anshuman Jha's subsequent work determining whether this film is seen as a promising misfire or the beginning of a distinctive filmmaking voice.