आई बहारें फूलों पास कलियाँ हैं

'Aayi Bahare Phulo Paas Kaliya Hai' is a documented song from Muslim Ka Lal (1941), a Hindi social feature directed by A. M. Khan for Mohan Pictures. The number is one of several titles credited to music director Madhav Lal, with lyrics for the film written by Hasrat Lakhanvi and Mustafa N. Usmani. Like much of the soundtrack, its imagery turns on the arrival of spring (bahar) and blooming buds (kaliyan). Per-song singer credits have not survived in the consulted databases, so the vocalist is left unattributed pending verification.

The title 'Aayi Bahare Phulo Paas Kaliya Hai' — 'Spring has come, flowers are near and the buds are here' — constructs a compact tableau of natural abundance using the bahar (spring) metaphor that was central to classical Persian and Urdu poetic tradition. The bahar song is among the oldest forms in Indian-film lyric: the arrival of spring signals the return of love, the flowering of hope, and the renewal of possibility. 'Phulo paas kaliya' adds granularity to the spring scene: the buds (kaliyan) cluster near the flowers (phul), which in the classical image-register implies the proximity of the beloved (the open flower) and the lover (the unopened bud, not yet fully revealed). Hasrat Lakhanvi, one of the two credited lyricists, worked in the Lucknow Urdu literary tradition where the bahar and kaliya imagery had centuries of refinement; his verses for Muslim Ka Lal would have drawn on this inherited vocabulary. The song's classification as romantic and celebratory, set to a medium tempo, suggests a light, melodic treatment of the classic spring-as-love trope.

Muslim Ka Lal (1941) was a Hindi social film directed by A. M. Khan for Mohan Pictures, Bombay. A. M. Khan was an active director-producer in the Mohan Pictures orbit, and Muslim Ka Lal sat within a strand of social films produced by the same house that also ran costume-fantasies like Allaudin Laila (1941) released in the same year. Music for the film was composed by Madhav Lal, with lyrics shared between Hasrat Lakhanvi and Mustafa N. Usmani. Hasrat Lakhanvi — not to be confused with the later and better-documented Hasrat Jaipuri — was a Lucknow-rooted Urdu lyricist active in Bombay film productions of the 1930s-1940s. The spring-blossom setting of 'Aayi Bahare' suggests this number occupied a romantic interlude in the film's narrative, likely a seasonal sequence or a garden scene.