शाबाश सी.ए. साहब!

Well Done CA Sahab! is a 2025 Indian Hindi-language drama film written and directed by Sarvesh Kumar Singh. The film follows three chartered accountancy aspirants — Vidyasagar, Siddharth, and Mithila — who once thrived under the inspiring mentorship of Bhaskar Sharma (Gopal Datt), a teacher who taught them not just accountancy but life itself through theatre. Years later, lost in their respective struggles, they embark on a journey to find the teacher who shaped their paths but mysteriously vanished. Shot primarily in Ahmedabad, Gujarat, the film is noted as one of the first Indian feature films to focus on the lives of CA aspirants in 100 years of Indian cinema. Runtime: 142 minutes. Distributed by Cinépolis.

Well Done CA Sahab!'s five-song soundtrack is released by Figures and Frames LLP, with music by Sanchit Balhara and Samiran Das and lyrics throughout by Raaj Kothari. The album is intimately linked to the film's emotional world: 'Khwabdariyaan' (Shaan) maps the aspirant's dreamscape, 'Sapno Ka Signature' celebrates the CA achievement, 'Maiyaa' honours the maternal blessing, the title song celebrates achievement, and 'Gurubrahma' closes with a devotional guru-tribute. Sanchit Balhara previously scored Dangal (2016).

Well Done CA Sahab! is notable as what may be the first Indian feature film to centre on chartered accountancy aspirants in 100 years of Hindi cinema — a professional identity almost entirely invisible on screen. Sanchit Balhara, who scored Dangal (2016), brings unexpected pedigree to the soundtrack; the devotional 'Gurubrahma' and aspirant anthem 'Sapno Ka Signature' give the album a distinctive emotional-professional flavour suited to its audience.

Released June 27, 2025 in a limited theatrical run via Cinépolis, the film earned an IMDb rating of 6.9/10 — respectable for a small independent drama. Box office figures were not widely reported. Its unique subject matter and emotionally resonant soundtrack give it likely OTT appeal among India's large CA aspirant community, for whom the film fills a genuine representational gap.